The New York Society Of Illustrators Sketch Night

The New York City Society of Illustrators is a must-visit for anyone passionate about art. Whenever I’m in the city, it’s one of my top stops—a place that embodies creativity and community. Whether you’re a student, a professional, or just looking for a fun night out with friends, the Society offers an experience that’s nothing short of inspiring.

During my undergraduate studies in advertising art—as it was called back then—I often dreamt of creating an illustration for the cover of a national magazine. For me, it was the equivalent of an actor landing a role in a major film or TV show. My influences were many, from Norman Rockwell and J.C. Leyendecker to more contemporary artists like Brad Holland and Marshall Arisman. Along with other aspiring illustrators, I religiously purchased the Society of Illustrators Annual of American Illustration each year, flipping through the pages with awe. At $50 a copy, it was a significant investment for a student, but worth every penny. We were art groupies, dedicated and passionate, dissecting every style, concept, and medium that graced the pages of that prestigious book.

My first visit to the Society was in the late 1980s when one of my pieces made it into the student show. Years later, as a graduate student in New York, I continued to find the Society to be a magical place—a haven for artists and a chance to unwind amidst extraordinary talent.

One of the most exciting events at the Society is Sketch Night. Imagine this: you’re sketching live models in timed poses, with live jazz playing softly in the background. The energy is palpable, and the room buzzes with creativity. Whether you’re there to practice your skills, mingle with other artists, or simply enjoy a drink while absorbing the ambiance, it’s an experience like no other.

The setup for Sketch Night is a bit of work, but it’s well worth it. The dining room upstairs transforms into a stage for the models, with chairs arranged in a semi-circle around it. There’s an open bar at the front, and to the left, a jazz band—comprised of Society members, no less—plays a smooth soundtrack to the evening. The mood is set, and the room fills with anticipation.

On one memorable night, the theme was “African Warrior and Queen.” The male model had dreadlocks, and while their attire seemed more Apache than African, it didn’t matter. We were ready to draw. For us artists, timed poses are a challenge and a thrill. It’s a test of our skills and, if we’re honest, a bit of unspoken competition to see who can produce the most compelling work. There were artists using everything from paints to pastels, and I knew this was going to be good.

The timed sessions, ranging from 5 to 15 minutes, are designed to keep the models moving and the artists on their toes. I started with gestural drawings, but just as I was getting into the details, the time would be called, and the models would switch poses. It was exhilarating and humbling all at once. Walking around during breaks, I marveled at the variety of styles—cubism, watercolor, beautiful pastels—all created in such a short time. It was some of the finest displays of craft I had ever seen in one room. By the later sessions, I felt like I was getting my mojo back, and my sketches began to take shape.

When the night was over, I felt good about my work. I had come with a 16 x 20 pad of newsprint and some pencils I grabbed from an office supply store on the way, but I left with more than just sketches—I left with a sense of fulfillment and a renewed passion for art. I continued to attend Sketch Night throughout my three years in graduate school in New York City.

Since then, nearly a decade has passed, but I’ve returned to the Society of Illustrators Sketch Night several times—even once with my now-adult daughter. We share a love for the city and its cultural offerings, and it’s always a joy to experience this event together. While my career didn’t take the full-time illustrator path I once envisioned (a story for another time), I found my way into advertising and design, where I’ve carved out a successful career. Yet, I still find time to paint, draw, and even participate in a few juried shows. No matter where my professional journey takes me, art remains my passion, and the Society of Illustrators will always hold a special place in my heart.